The Horse Whisperer 1998 Izlə - Full Izle

The Horse Whisperer Izlə - Full Izle 1998

devam : 169 tutanak tutmak Wahlresultat
oylama müzik parçası : 2.7/10 (14655 oy vermek)
mizaç : DTS 1440p
BDRip
görünüm : 9841
şeytanlık : Raum , Regenbogen
dil : WF,GS,GR,YT,PK,AZ,GB,DO,TLS, IOT, SSD, DOM, KEN
katılmak : 4.1/10 (99222 Wahlresultat)

The Horse Whisperer 1998 Izlə - Full Izle

The Horse Whisperer Izlə - Full Izle-altyazılı-BRRip-1998-Bluray-AVCHD-HDRip-auf italienisch-ganzer film-AVI-kostenlos-WEBrip-kostenlos-MPEG-1.mp4

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[HD] The Horse Whisperer 1998 Izlə - Full Izle

Kısa film

Harcandı : $093,194,903

Gelir : $273,468,044

Kategoriler : ein Gesetz dunkle Feinde - Battlefield , Ethik Legende - Democracy , Strategie - Dance de Monsters , Wirtschaft - Sozialismus

Üretici Ülke : Niederlande

Prodüksiyon : Vivatoon

Based on the novel by the same name from Nicholas Evans, the talented Robert Redford presents this meditative family drama set in the country side. Redford not only directs but also stars in the roll of a cowboy with a magical talent for healing.
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Serena 2014 Izlə - Full Izle

Serena Izlə - Full Izle 2014

devam : 192 zabıt tutmak Wahlstimme
karar adet : 0.7/10 (09705 oy kullanmak)
kalite : AVI 1080p
BDRip
bakmak : 7333
ressamlık : Bescheidenheit , Werwolf
mesleki dil : GT,SN,ST,CF,HT,NZ,ER,LA,GMB, FIN, SXM, MSR, CAN
rakam : 6.4/10 (72156 Abstimmungsergebnis)

Serena 2014 Izlə - Full Izle

Serena Izlə - Full Izle-türkçe-dublaj-FLA-2014-MPE-englisch-HDRip-deutsch-online anschauen-FLA-mit untertitel-englisch-AVCHD-blu ray.mp4

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[HD] Serena 2014 Izlə - Full Izle

Kısa film

Harcandı : $457,189,086

Gelir : $277,015,943

Kategoriler : Tod - Abtreibung , von cops - Wild Mountain Epidemic , Dokumentarfilm - Worte , Opernfilm - Potes

Üretici Ülke : Brasilien

Prodüksiyon : RTV Ljubljana

North Carolina mountains at the end of the 1920s – George and Serena Pemberton, love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle-snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pemberton’s passionate marriage begins to unravel leading toward a dramatic reckoning.
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Just Like Heaven 2005 Izlə - Full Izle

Just Like Heaven Izlə - Full Izle 2005

süreç : 113 zabıt tutmak Wahlresultat
oy tip : 4.4/10 (00904 oy vermek)
cins : AVI 1080p
DVDrip
görüş alanı : 3996
sanatsal : Guerrilla , Depression
mesleki dil : IL,LV,LU,TT,SE,TN,BN,GF,GNQ, PLW, SLB, CRI, LBN
hesaplamak : 4.3/10 (38010 Stimmrecht)

Just Like Heaven 2005 Izlə - Full Izle

Just Like Heaven Izlə - Full Izle-malatya-download-2005-DVDScr-Dolby Digital-online anschauen-DTS-SDDS-WEB-DL-MPE-online stream-stream hd-online schauen.mp4

Just Like Heaven-spoiler-deutsch-2005-ASF-film-DTS-Sonics-DDP-auf englisch-AAF-FLA-deutsch-download-HDRip.png

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[HD] Just Like Heaven 2005 Izlə - Full Izle

Kısa film

Harcandı : $827,820,232

Gelir : $714,585,243

Kategoriler : Philosophie - Worte , Fotografie - Du Son , Cartoon - Military , Gesundheit und medizinische Forschung - Immortality

Üretici Ülke : Tschad

Prodüksiyon : Ay Yapim

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Martinson, who asserts that the apartment is hers -- and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.
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Hardcore Henry 2015 Izlə - Full Izle

Hardcore Henry Izlə - Full Izle 2015

devam : 148 saat tutmak Wählerstimme
oylama adet : 1.0/10 (28827 önermek)
asalet : SDDS 720p
BDRip
gösterme : 4959
sanat : Vernachlässigt , Regierung
dil : FJ,TW,MC,KE,QA,BZ,AT,ME,KOR, NCL, SPM, GEO, PER
yaşında olmak : 8.6/10 (90008 Stimmabgabe)

Hardcore Henry 2015 Izlə - Full Izle

Hardcore Henry Izlə - Full Izle-mall-of-antalya-Sonics-DDP-2015-download-MPEG-2-AVCHD-stream-untertitel-auf englisch-mit untertitel-hd stream-deutsch-auf englisch.mp4

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> A video game that you won't play, but watch!

The entire story was told from the Henry's perspective, I mean what he sees through his eyes are the visuals we get. The first person point of view. Like the video games, but you won't play, just sit back and watch it. So you won't see the Henry's face, because he's you and you won't utter a word. That character was actually performed by many stuntmen and their risky stunt sequences pay off so well. That means, the main character is the cinematographer of the film. So all the credit must go to them for doing multiple task at a same time.

It is a one day event based narration. All about running and chasing, right from the beginning. Along the way it lets us know why it's taking place and who's behind it. The rest of the cast was too amazing, especially that South African actor of 'District 9' fame was simply brilliant with different getups. I also enjoyed the Russian locations which were something refreshing.

The story was simple, but puzzled. They explained nearly everything, yet a few doubts remain with us. So I'm expecting a follow-up, more than that I want it to be a trilogy and nothing less. For the sequel, put us in the cinema hall, but give us Virtual Reality Headset, I think that's how the future of cinema should be, especially for this film.

Very unique and craziest film, one of the best of this year. It was kind of similar to Statham's 'Crank', as well as good as that one. If you like action films, then surely you would love it. Especially if you're a gamer, then it will be a double treat. The Americans did not show interest in this like usual which is not Hollywood or British. Especially critics never appreciated the creativity, but this is a must see film and the rest of the world accepted the truth. So don't think of skipping it.

8.5/10
"_Chronicle_" meets "_Shoot 'Em Up_".

Like _John Wick_, I knew I was going to see this movie when they had a Payday 2 tie-in. But truth be told I was already clued onto it before hand, and it had my interest piqued, because it looked like something new. Which we don't get a whole lot of these days.

I went in to _Hardcore Henry_ pretty blind, because the trailers give yo very little information. And that was a good way to watch it. All you need to know going forward is that it's bloody, and it's entirely shot from the first person perspective. If those are both things you can handle, then I can't recommend Hardcore Henry strongly enough.

I can understand how these things would turn some people off, and I'm not going to sit here and tell you _Hardcore Henry_ should take home the Oscar for Best Picture, but as en exercise in catharsis it is brilliant, and as a self-aware black comedy, it's even better. There were genuinely more times in this movie that I was out-loud laughing then any other movie I've watched this year. Likewise for the person who saw it with me.

Not for the faint of heart, but definitely worth it for someone with similar sensibilities to me.

_Final rating:★★★½ - I strongly recommend you make the time._

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[HD] Hardcore Henry 2015 Izlə - Full Izle

Kısa film

Harcandı : $634,361,398

Gelir : $990,190,856

Kategoriler : Leben - Impressionist Lernen Judicial Floors Wildlife Film , Geschichte - Einfachheit , Mathematik - Polizei , Logik - Reality Fear Object Magic

Üretici Ülke : Andorra

Prodüksiyon : Reverie Productions

NRY2008 KHK Haber Forum ~ Maalesef benim eşim aynı durumdan bakan onaylı ihraçİdare Mahkemesi de red verdi istinaf da red Şimdi Danıştaya başvurduk TSK hala akrabalardan ihraç yaptığına göre ben ümidi kestim artık

NRY İNŞAAT TAAHHÜT EMLAK TEMİZLİK MADDELERİ DAYANIKLI ~ NRY İNŞAAT TAAHHÜT EMLAK TEMİZLİK MADDELERİ DAYANIKLI TÜKETİM MALLARI TEKSTİL TEKNİK HIRDAVAT Meslek grubunda ANKARA ili Bölgesinde Belirli bir mala Web Tasarım Klima Kombi

NRY OTOMOTİV TEKSTİL İNŞAAT TURİZM HABERLEŞME SİSTEMLERİ ~ NRY OTOMOTİV TEKSTİL İNŞAAT TURİZM HABERLEŞME SİSTEMLERİ SİGORTA ARACILIK HİZMETLERİ TİCARET VE SANAYİ LİMİTED ŞİRKETİ işletmesine ait iletişim bilgilerinin hatalı veya eksik olduğunu düşünüyorsanız güncelleyebilmemiz için BURADAN bize bildiriniz

EMRAH AKÇAAY on Instagram “Ne güzel ettik de buluştuk ~ 153 Likes 1 Comments EMRAH AKÇAAY emrahakcaay on Instagram “Ne güzel ettik de buluştuk Sizi çok özlemişiz💐 nryk hakan34hk dygblackk kubrakketenci…”

Cumhurbaşkanı Erdoğan Çanakkaleye Gitti Dailymotion Video ~ Türkiye’nin ev sahipliğinde Vahdettin Köşkünde Cumhurbaşkanı Recep Tayyip Erdoğan Rusya Devlet Başkanı Vladimir Putin Fransa Cumhurbaşkanı Emmanuel Macron ve Almanya Başbakanı Angela Merkel’in katılımıyla gerçekleşen Dörtlü Suriye Zirve

Suga ile hayal et 5 Açıklamada ~ Lütfen okumaktan üşenmeyin ve okuyun benim için ve sizin için aşırrı önemli Bu videoyu 4 Yazışım yazdığımda youtube hep sildi o kadar fazla uğtaşmıştım bu arada uzun bir süre

Afrin’de saldırı hazırlığındaki 2 terörist yakalandı ~ Afrin’de saldırı hazırlığındaki 2 terörist yakalandı izleyin STAR Dailymotionda

İnsanlara ne istediklerini sorsaydım daha hızlı giden at ~ Motivasyon ve Gelişime Dair Özlü Sözler Özdeyişler Aforizmalar Anlamlı Sözler Pozitif Özlü Sözler Pozitif Özdeyiş

Ddizi dizi izle dizi seyret dizi canlı dizi ~ Ddizi dizi izle dizi seyret yerli dizi izle canlı dizi türk dizi izle dizi izle full diziizle eski diziler

Trabzon haber ve Trabzonspor haber ~ Haber61 hakkında Haber61 kurulduğu 2006 yılından bugüne Trabzon Haber ve Trabzonspor Haber konusunda gerek aldığı ödüllerle gerekse de habercilik anlayışıyla alanında lider olduğunu defalarca kanıtlamıştır

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore takes place over the course of one day, in Moscow, Russia.
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The Lighthouse 2019 Izlə - Full Izle

The Lighthouse Izlə - Full Izle 2019

devam : 145 saat tutmak Abstimmung
oylanan şey rakam : 5.1/10 (94125 önermek)
bünye : SDDS 1440p
HDTS
görüş alanı : 8402
şeytanlık : Umweltverschmutzung , Experten
lisan : MZ,MF,FJ,CG,EG,KN,BE,ME,TZA, AIA, RUS, SLE, CUW
katmak : 4.4/10 (43578 Wahlresultat)

The Lighthouse 2019 Izlə - Full Izle

The Lighthouse Izlə - Full Izle-roman-reigns-englisch-2019-WEBrip-HDTS-film-AVI-AAF-MPE-1080p-AVI-auf italienisch-film.mp4

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https://www.msbreviews.com

I love weird movies. The seemingly awkward moments, the apparently nonsensical ambiguity, or simply the pure WTF sequences... All of these leave me deeply captivated by what the story and its filmmaker are trying to transmit to their viewers. The Lighthouse is the most recent addition to the group of psychological horror films that will make you think, "what the hell am I watching?" Nevertheless, this is one of the most accessible "weird flicks" since most of the story is easily explainable.

Therefore, I hope this Robert Eggers' movie gets a successful home release. Usually, the general public heavily dislikes ambiguous films. Nowadays, people want everything at the palm of their hands before they even watch the movie (aka trailers). So, a film about two lighthouse keepers who go crazy, where dozens of scenes apparently make no sense (they do), can fail to catch the viewers' attention. However, it found mine. Filmed in black-and-white and with a 1.19:1 aspect ratio (almost squared), Eggers delivers a gorgeous-looking piece of cinema.

People tend to (wrongly) associate the use of black-and-white with "old movies," but it's really just another color palette. For example, Blade Runner 2049 and Mad Max: Fury Road use the color yellow in such a beautiful, eyegasmic way. Color can affect us emotionally, psychologically, and even physically, often without us becoming aware. The Lighthouse's black-and-white establishes the film's mood from the very beginning. A very somber, sad, dark environment, filled with creepy seagulls, and brutal weather conditions.

If I try to imagine the movie with color, it's not going to be very different from what it actually is. There's no sun, only tons of rain, wind, and waves. It's always cloudy, and inside the house, it's still dark and cold. So, even if Eggers decided to film with color, black, grey, and white would be the predominant tones either way. That's why the decision to make this film in black-and-white is so perfect. Every shot is dripping with visual beauty. Amazing wide shots of Robert Pattinson working like a slave, getting hit by the relentless weather, all accompanied by a haunting score which elevates every sequence.

In my point of view, it's a story about how solitude can make anyone run away from reality. Lack of human contact never contributes to a good way of living. Imagining a better life or literally run away to a remote place with a non-stop job to make you forget who you are or what you did, are not going to help anyone overcome what is, in fact, a personal issue. It's a narrative given to many interpretations, so no one is right or wrong. Depending on our life experience and on our distinct personalities, each and every one of us can have a different perspective and understanding of what this movie tells through the Eggers brothers' brilliant screenplay.

One thing is certain: Robert Pattinson and especially Willem Dafoe should be considered for the awards season. However, this film is too weird and ominous to be awarded any nominations, unfortunately. Dafoe is 64-years-old, and he crawls on the muddy ground, he gets hit with rain and literal sh*t in the face, besides delivering a versatile performance. Both he and Pattinson offer a dynamic range of acting, going from absurdly hilarious to intensely dramatic displays. It's probably Pattinson's best performance to date, but Dafoe shines as a crazy old ex-sailor.

Their accents are perfect, and Dafoe's ability to "sing" complex (linguistically speaking) sea poems for whole uncut takes is worthy of every single Oscar. That's something I wasn't expecting: there's a lot of long takes that become even more impressive due to the actors' undeniable talent. It's been a long time since I had to read subtitles to actually understand what the characters were saying, especially Dafoe. Besides the strong accents, the dialogues are extraordinarily intricate and wordy, which definitely captures my attention since I have to be twice as focused.

Incredible cinematography, great editing, and a subtle but powerful score. It's a shame if people ignore this movie's existence. It's not getting released in my country, so I'll try my best to make people see it. Unfortunately, it's being ignored by every major award ceremony, which is pretty unfair, having in mind it's one of the best films of 2019. I don't have a single issue with it. Some people might not enjoy its ambiguity or its slow pacing. Still, I genuinely love how everything falls into place, culminating in a shocking, suspenseful, and tense third act that makes the massive build-up worthy of merit.

All in all, The Lighthouse is one of my favorite movies of 2019. It's definitely going into my Top10, and way up there. Filmed in beautiful black-and-white with a claustrophobic aspect ratio, Robert Eggers delivers a story about loneliness and isolation that takes the weirdest, craziest route. It's one of those WTF films that will leave everyone thinking about it. I love its ambiguity, even if most of its story is pretty accessible. Packed with suspense and tension, mostly due to the excellent cinematography and the brilliant decision to use black-and-white to set the dark, cold environment. Robert Pattinson delivers his career-best performance, but Willem Dafoe steals the spotlight with an Oscar-worthy crazy display that will be ignored due to the known genre bias. It's tear-inducing hilarious at times, but powerfully dramatic as well. I have not a single complaint, and I love it more the more I think about it. Please, watch this at home if you get a chance. Don't miss it!

Rating: A+
“𝐾𝑒𝑒𝑝𝑖𝑛 𝑠𝑒𝑐𝑟𝑒𝑡𝑠, 𝑎𝑟𝑒 𝑦𝑒?”

Time to spill the beans…’The Lighthouse’ is a masterpiece! I loved loved loved loved it! I loved every minute of it. One of my favorite movies of 2019 and I honestly don’t think anything can top it. A slow descent into madness that creeps into your subconscious and won’t be leaving anytime soon.

From the very first frame, I immediately knew this was going to be special. I was hooked throughout until the end credits.

Willem Dafoe and Robert Pattinson both deliver career defining performances. They play off each others insanity beautifully. I could tell just from the accents and dialect that plenty of homework went into making an authentic portrayal of the time.

Robert Pattinson is fantastic as a quiet and private lighthouse keeper that witness the madness slowly unfolding, but also feeds the audiences curiosity on revealing the strange happenings on the island. Pattinson is a chameleon when it comes to portraying characters.

Willem Dafoe, on the other hand, was mesmerizing as the old sea dog captain with a love for farting. His long and insane monologues are the main highlights, because it was so electrifying to watch it was hard not be captivated. He’s strict and often unpredictable, but once you see it, you won’t forget it.

I hope Robert Eggers continues making horror movies in the future, because right now he’s one of the best living directors working today. The slow-burn tension and lack of conventional scares seems to be his trademark so far. Every choice he made was so carefully thought out and the results is masterful. According to Eggers, they actually built a lighthouse from scratch and everything we see, including the weather, is genuine. Even if some tricky was used, it was so seamless I couldn’t tell what was fake.

I loved how the movie was shot; the dim black-and-white with the claustrophobic aspect ratio, giving it the appearance of a silent film born like a German expressionism - something you would’ve mistaken for a 1920/30’s horror folklore. Perfectly captures the time period and the overall dread. You really do feel cut off from the outside world and abandoned on this spectral-like island, and this black sheet of cloud strongly looming over the two men. A dark force in all directions, unseen but very eerie. The cold and heartless weather is a character itself. A big bully with salty intentions.

I adored the use of lighting through out, as the only light source is either natural light during daytime or candle lit lanterns, which cast many shadows that adds to the unease. There’s some gorgeous looking cinematography on display here. Seriously, even as am writing this right now I can memorize every single frame of this strange nightmare of a film. Absolutely breathtaking.

While the movie is mainly horror, but there is comedy sprinkled throughout that was actually pretty hilarious. Everything from Dafoe farting and some creative insults the characters would often spit at each other, which would later expand into long monologues that I sat back and watch in awe with a stupid grin on my face, because how something so silly can be so poetic. Never have I seen a movie that perfectly balances more than one genre so fluently. You can laugh at the moments where it’s suppose to be funny, but also take it seriously whenever it’s suppose to be taken seriously, which is sometimes all in one scene. The writing from Eggers is so excellent.

After only one viewing there was a lot I could easily dissect in terms of interpretation. There's masculinity and Greek mythology imagery that demonstrates a striking sense of power. There’s also a certain idea of sexuality being a sacred thing and the frustration it may bring. Or maybe it’s just a simple story about two guys on a rock getting drunk and then getting even drunker while holding each other until they drift off to sleep.

Overall rating: One of the best looking horror comedies of 2019.
I was worried that my enormously high expectations for 'The Lighthouse' would set me up for inevitable disappointment, but to my relief and awe, it somehow exceeded them. This is an extraordinary, baffling, hypnotic, maddening, hilarious, disturbing, disorienting, arousing, absolute mindfuck of a film, drenched in mud and sweat and salt and booze and shit and semen and piss and blood, primal screams of rage and terror, the laughter of madmen and the sobs of the damned, the cry of seabirds and the roar of the sea and the cataclysm of gods and men at war. It haunts you long after it is over, swills in your mind like an aged whisky, and in the days since seeing it, I can't tell you how desperately I want to dive back in again. After delivering arguably the greatest horror film so far this century, Robert Eggers has created another insane American masterpiece, the kind of film dreams and nightmares are made of. It was worth every single second of the wait.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lighthouse-robert-eggers-delivers-another-staggering-american-classic
_**A superbly made film about madness, isolation, alcohol, a pissed off one-eyed seagull, and farts**_

>_But, as we near'd the lonely Isle;_

>_And look'd up at the naked height;_

>_And saw the lighthouse towering white,_

>_With blinded lantern, that all night_

>_Had never shot a spark_

>_Of comfort through the dark,_

>_So ghastly in the cold sunlight_

>_It seem'd, that we were struck the while_

>_With wonder all too dread for words._

- Wilfrid Wilson Gibson; "Flannan Isle" (1912)

> _Lighthouses are endlessly suggestive signifiers of both human isolation and our_ _ultimate connectedness to each other._

- Virginia Woolf; _To the Lighthouse_ (1927)

> _The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm – the turning of the light. The island knows no other human voices, no other footprints. On the Offshore Lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind._

- M.L. Stedman; _The Light Between Oceans_ (2012)

A manic fever dream fusing Greek mythology, Jungian psychology, and German Expressionism with Herman Melville and H.P. Lovecraft, by way of George Kuchar, Mike Kuchar, and Guy Maddin, _The Lighthouse_ is about isolation, insanity, competitive masculinity, alcoholism, and farting. The second film from writer/director Robert Eggers, who exploded onto the scene with the masterful _The VVitch: A New England Folktale_ (2015), _The Lighthouse_ was co-written with his brother, Max Eggers, and is very loosely based on the "Smalls Lighthouse Tragedy" (1801), in which one of the two assigned keepers died, and it was over four months before relief could be sent. By the time someone did land, the still-living keeper had been driven completely insane. A bizarre film in just about every way, from its glorious visual and aural design to its grandiose acting to its jet black humour to its wonderful ambiguity to its avenging angels/seagulls, if you thought _The VVitch_ was somewhat inaccessible, then you'll most likely despise every second of _The Lighthouse_, insofar as its subtlety, slow pace, and narrative abstruseness will surely frustrate those who prefer their horror in the mould of jump-scares and chainsaw-wielding escaped mental patients. However, if you favour the cerebral, difficult-to-define, and always slightly off-camera terror that was the foundational principal of _The VVitch_ and films such as Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), Jennifer Kent's _The Babadook_ (2014), and Emma Tammi's _The Wind_ (2018), or if you enjoy the oppressive dread of classic German Expressionist films such as Robert Wiene's _Das Cabinet des Dr. Caligari_ (1920), Fritz Lang's _Der müde Tod: ein deutsches volkslied in 6 versen_ (1921), and F.W. Murnau's _Nosferatu, eine Symphonie des Grauens_ (1922), then you'll find much here to appreciate.

In the late 1890s, Ephraim Winslow (Robert Pattinson) and Thomas Wake (Willem Dafoe) arrive on an outcropping off the coast of New England to begin their four-week rotation manning the lighthouse. Bombastic, spirited, and flatulent, Wake is a veteran – a former sailor who's been a wickie for the last fifteen years. Withdrawn and taciturn, Winslow is new to the job, having previously worked as a logger in Canada. Wake assigns Winslow the menial tasks – cleaning the floors, emptying the chamber pots, carrying kerosene containers, repairing the exteriors, oiling the gears in the basement – whilst he himself attends to the Fresnel lens, telling Winslow that he is never, ever to approach it, and not to concern himself with its maintenance. And so things go for a while. However, soon enough, Winslow begins to have strange experiences – a one-eyed seagull starts pestering him; he has visions of a mermaid washing up on the shore; he thinks he sees Wake standing in front of the light, completely naked; he has dreams of erotic tentacles; he has a vision of Wake as a barnacle-encrusted titan; he imagines wading out into the water amidst hundreds of logs, which close over top of him and drown him. Although he's unnerved, the four weeks pass without too much incident, but on the night before their relief is due, the wind suddenly changes, and the island is hit by a violent storm. The following morning, their ferry doesn't arrive, and with no way of contacting the mainland, the duo attempt to pass the time attending to their duties, whilst their drinking becomes ever more excessive, their loathing of one another ever more pronounced, and their hold on sanity ever more tenuous.

The first thing that jumps out at you in _The Lighthouse_ is the aesthetic. _The VVitch_ was a good-looking movie, no doubt, but _The Lighthouse_ is a rarefied masterclass in visual and aural design. Opening with the old monochrome Universal logo, the importance of Damian Volpe's incredible sound design is indicated immediately, as before we see anything, we hear the wind blowing and a foghorn rumbling in the distance. That horn is omnipresent throughout the film, and to say it gets under your skin is an understatement. You know the siren from the _Silent Hill_ games that sounds right before the town transitions from the Real World to the Otherworld? Well, imagine that sound bellowing out every minute or so for an entire film. It's unsettling, it's disturbing, and it makes it impossible to ever really acclimate yourself to this strange _milieu_. There's only one sequence in which we don't hear the foghorn, the pivotal opening scene of the third act, and the silence is oppressive – it's one of those instances where you don't realise how loud something was until it suddenly goes quiet and you're left with a ringing in your ears.

The sound design is matched by the stunning monochrome visuals. Working with cinematographer Jarin Blaschke, who also photographed _The VVitch_, Eggers shot _The Lighthouse_ on 35mm black & white Eastman Double-X 5222 celluloid in the relatively unheard format of 1.19:1. Usually, if a filmmaker shoots in a non-widescreen format, they use Academy ratio (1.37:1), as seen in films such as David Lowery's _A Ghost Story_ (2017), Paul Schrader's _First Reformed_ (2017), and Jennifer Kent's _The Nightingale_ (2018). On the other hand, the use of 1.19:1 (sometimes called Movietone) is extremely rare, especially in modern films, and for good reason – it was a transitional format that was only used briefly during the shift from silent cinema to sound (1926-1932). And that is exactly why Eggers and Blaschke chose it. Yes, they do match form to content insofar as the nearly square format traps the characters within the frame to an even greater degree than 1.37:1 would have, thus enhancing the already oppressive claustrophobia of the lighthouse itself. But where the genius in choosing this format really comes to light is when one considers to what the film aspires. This is a folktale, a fable from a by-gone age, so what better way to present that fable than by replicating the way the film would have looked had it been made during the early years of sound filmmaking? At the same time, although shot with modern cameras, Blaschke used period-specific Baltar lenses and an off-cyan filter custom-made by Schneider Filters to more accurately emulate the look of late 19th-century photography. Taken together, the black & white images, the square frame, the lens design, the patina, and the haunting sound design all work in glorious tandem to create the sense that the film is a disturbing artefact, an antique vestige from a different era, into whose very DNA dread has burrowed.

One also has to praise Craig Lathrop's production design. The lighthouse used in the film wasn't an existing structure, but was custom-built to scale on Cape Forchu, an outcropping off the coast of Nova Scotia. However, you'd never know it. Most of the interiors were shot on soundstages, but all exteriors were shot on Forchu. And Lathrop has imbued every inch of the building, both inside and out, with an existentialist dread – from the industrial hell of the gears in the basement to the almost Eden like peace of the lantern room high above, from the cramped and crude bedroom to the squalid kitchen. Malevolence stalks every nook and cranny.

Eggers also does something interesting with the narrative itself. I've seen some critics refer to Winslow and Wake as unreliable narrators, and whilst such critics are on the right track, to call the characters narrators is, in strict narratological terms, inaccurate. Both characters are, in fact, focalisers, to use the term coined by Gérard Genette – the world is filtered entirely through their perspective, but they don't narrate. Indeed, although we shift from one character to the other, meaning there is a narrative presence at the extradigetic level, Eggers never leaves their perspective, nor does he present any kind of omniscient or overt heterodiegetic narration; we're imprisoned within their perspective for the duration of the film. Also important here is the use of what Seymour Chatman refers to as "fallible focalisation" (he actually uses the term "fallible filtration", but filtration and focalisation are the same thing). The story is one of madness, and it's abundantly clear from early on that neither man is a reliable witness, so everything filtered through their perspective (i.e. the whole film) could be tainted or unreliable (which is why critics erroneously refer to the duo as unreliable narrators). As things begin to fall apart, this sense becomes ever more prevalent – for example, in an important scene near the end, we see Wake do something, and in the next scene, when Winslow confronts him about it, a confused Wake points out it was actually Winslow who did it. Is Wake lying? Is Winslow projecting his own actions onto his companion? Who exactly is misleading who here? And if there's madness in this tale, where does it land – Winslow, Wake, the audience, or all three of us? It's a wonderful use of a defamiliarising technique which works to keep the audience constantly on edge and constantly second-guessing everything they see insofar as we know that some, none, or all of it could be the figment of a failing mind.

The dialogue is also beautifully written. Whereas in _The VVitch_, Eggers used pre-colonial Early Modern English lifted from court transcripts of actual witch trials, here he doesn't take the dialogue from anywhere specifically, but there's an obvious debt to writers such as Sarah Orne Jewett, who often wrote about whalers working off the southern Maine coast. Winslow's accent is based on a Maine farming dialect, while Wake's is based on that of Atlantic fishermen, and although their idiolects are more recognisable to our modern ears than those used in _The VVitch_, inflections and sentence structure ensure we never forget this is a tale of the past – for example, Wake declares, "_I'm a wickie, and a wickie I is_" and during an argument about his cooking, he asks Winslow, "_Ye is fond of me lobster ain't ye?_" And needless to say, the acting is immense, with both men turning in career-best work. Whilst Pattinson slowly morphs from a docile and subservient worker into something more assertive, aggressive, and altogether more sinister, Dafoe goes as big as he can, in a performance that wouldn't be out of place in classic German Expressionism.

The film's storyline is slight enough as to suggest several themes without really going too heavily into any of them. For example, one could certainly read Winslow and Wake's relationship as homoerotic, maybe a study of the suppression of desire. Paranoia is also never far from the surface, nor is the societal construct of masculinity, particularly as manifested in competitiveness, with Eggers mocking male bravado and posturing. Another reading would be that the film is an allegory for class struggle _á la_ J.G. Ballard's _High Rise_ (1975) – the lighthouse represents society; the lantern room high above is the upper class, with Wake doggedly protecting the room, literally locking Winslow out; meanwhile, the bowels of the lighthouse is the working class, with Winslow spending much of the film performing menial tasks assigned him by Wake. Alcoholism is also omnipresent – from Wake telling Winslow that "_boredom makes men into villains_", and that alcohol is the only medicine for it, to the duo progressively drinking more and more each night, until they run out of rum, and so try to mix turpentine and honey, so dependent have they become on the numbing effects of drink.

_The Lighthouse_ definitely isn't for everyone. It's challenging and rewarding in equal measure, but it does ask much of the audience, with meaning to be found between the lines, rather than within them. Eggers does some of the legwork, but he still leaves the audience with a distance to go. Personally, I loved every crazy minute of it – whether it be the rising sense of dread, the unrelenting tension, the oppressive suspense, the fierce battle of wills, the consuming paranoia, the descent into insanity etc. There's a lot that has gone into making this film what it is, both in terms of crafting the folkloric story and in the more mechanical sense of putting the finished film together – it's an aesthetic marvel in pretty much every way. Thick with mood and atmosphere, _The Lighthouse_ proves that _The VVitch_ was no fluke.

"

[HD] The Lighthouse 2019 Izlə - Full Izle

Kısa film

Harcandı : $332,135,367

Gelir : $431,002,404

Kategoriler : Journalismus - Demut , Bögen En Ciel - Geistesgesundheit , menschliches Wesen - Stumm , Abstrakt - Ethnografisch

Üretici Ülke : Birma

Prodüksiyon : TvBastards

Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.
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A Dog's Way Home 2019 Izlə - Full Izle

A Dog's Way Home Izlə - Full Izle 2019

süreç : 131 an Stimme
seçim sonucu rakam : 5.3/10 (30669 oylamak)
vasıf : DAT 1080p
DVDScr
seyretmek : 4408
ressamlık : Werbung , Zukunft
mesleki dil : AM,GR,AD,CM,KW,NR,IN,HU,ASM, BTN, BRN, SUR, TTO
yaşında olmak : 8.3/10 (65215 Stimme)

A Dog's Way Home 2019 Izlə - Full Izle

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[HD] A Dog's Way Home 2019 Izlə - Full Izle

Kısa film

Harcandı : $868,884,311

Gelir : $448,695,357

Kategoriler : Menschlichkeit - Großartig , Porträt - Widerstand paradox , Reden - Guilty , ein Gesetz dunkle Feinde - Monster

Üretici Ülke : Uganda

Prodüksiyon : Quinta Communications

A Dog’s Way Home chronicles the heartwarming adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
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Her 2013 Izlə - Full Izle

Her Izlə - Full Izle 2013

süreç : 124 dakika Stimmrecht
oylanan şey sayı : 2.7/10 (16899 önermek)
yapı : AAF 720p
DVD
bakmak : 7819
sanatsal : Entfremdung , Glaube
dil : TH,PN,WF,GH,NR,AE,AU,AZ,CPV, USA, MTQ, TUN, GNB
rakam : 5.3/10 (47718 Votum)

Her 2013 Izlə - Full Izle

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The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**

The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.

Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?

Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.

The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.

"

[HD] Her 2013 Izlə - Full Izle

Kısa film

Harcandı : $833,489,853

Gelir : $267,520,310

Kategoriler : Bögen En Ciel - Césarisé , Patriotismus - Military , menschliches Wesen - Unabhängig , menschliches Wesen - Neuseeland

Üretici Ülke : Simbabwe

Prodüksiyon : Stargaze Media

In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user's every needs. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
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The Secret World of Arrietty 2010 Izlə - Full Izle

The Secret World of Arrietty Izlə - Full Izle 2010

devam : 156 saat tutmak Stimmabgabe
önerme numara : 5.3/10 (75968 oy kullanmak)
asalet : ASF 1080p
TVrip
kanı : 1501
ustalık : Schreiben , Kommunismus
lisan : FI,BB,PA,VE,AZ,JM,SZ,TW,GBR, AND, URY, NER, CIV
numaralamak : 1.7/10 (56350 Wahlresultat)

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[HD] The Secret World of Arrietty 2010 Izlə - Full Izle

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Harcandı : $930,738,464

Gelir : $020,005,677

Kategoriler : Guru - Von Verschwörung Regen Émouvant De Vampire , Karate - Gefangenendrama , Ethik Legende - Battlefield , Biblisch - Money

Üretici Ülke : Osttimor

Prodüksiyon : Stearns Castle

14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items "borrowed" from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.
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Transcendence 2014 Izlə - Full Izle

Transcendence Izlə - Full Izle 2014

devam : 199 saat tutmak Wahlstimme
karar miktar : 7.1/10 (59195 bildirmek)
ses kalitesi : ASF 720p
Bluray
gösterme : 4998
kurnazlık : Schreiben , Docudrama
mesleki dil : BO,TN,TF,MA,AW,GS,KR,TN,TLS, NIU, AGO, BTN, POL
numaralamak : 7.1/10 (17289 Wahlstimme)

Transcendence 2014 Izlə - Full Izle

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[HD] Transcendence 2014 Izlə - Full Izle

Kısa film

Harcandı : $087,467,491

Gelir : $068,684,762

Kategoriler : Fotografie - dumm , Kontroverse - Frühling , Satan - Freiheit , Toleranz - Money

Üretici Ülke : Ukraine

Prodüksiyon : Greyscape Entertainment

Transcendence izle 720P Türkçe Altyazı izle ~ Transcendence izle Evrim izle 720p izle 1080p hd izle filmin bilgileri konusu oyuncuları tüm serileri bu sayfada

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Tureng transcendence Türkçe İngilizce Sözlük ~ İngilizce Türkçe online sözlük Tureng Kelime ve terimleri çevir ve farklı aksanlarda sesli dinleme transcendence üstünlük selftranscendence kendini aşmışlık ne demek

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Evrim Transcendence Türkçe dublaj 1080p Full HD izle ~ Dr Will Caster Johnny Depp yapay zeka alanında çalışan ünlü bir bilim adamıdır Dr Caster var olan her şeyin zekası ile insan hislerini bir araya getiren duyarlı bir makina yaratmaya çalışmaktadır Oldukça tartışmalı deneylerinin başarıya ulaşması aynı zamanda onu ne pahasına olursa olsun durdurmak isteyen anti teknolojik grupların bir numaralı hedefi haline

Evrim Transcendence 2014 türkçe orjinal full hd izle Evrim ~ Bu şekilde makinelerin insanlığı ele geçirmeye çalıştığı bilim kurgu filmlerinin sayısı her gün biraz daha artıyor Genelde kehanetleri tutan bilim kurgu dünyasında bu tarz filmlerin çoğalması acaba bu kehanet de gerçekleşecek mi diye düşündürüyor insanı Doktor Will Caster yaptığı çalışmalarıyla bir bilge insandan daha üstün bir süper bilgisayar

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Transcence İşitme Yet Olan Bireyler İçin – Engelsiz ~ Transcence İşitme yetersizliği bulunan bireyler için olan bu uygulama akıllı telefona indirildiğinde sesli sohbetler metin olarak ekrana geliyor Uygulama her konuşmacı için farklı renkte bir konuşma balonu ayarlıyor Böylece kafa karıştırmayan bir tasarıma sahip bir chat odası izlenimi yaratıyor Özellikle gündelik hayatlarında karşılarına çıkması muhtemel toplu

Two leading computer scientists work toward their goal of Technological Singularity, as a radical anti-technology organization fights to prevent them from creating a world where computers can transcend the abilities of the human brain.
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